movie:the princess and the frog

  • The problem with false feminism — Disney, Pixar, DreamWorks and Western Animation — Medium
    https://medium.com/disney-and-animation/7c0bbc7252ef

    (or why “Frozen” left me cold)
    Dani Colman in Disney, Pixar, DreamWorks and Western Animation
    I have made absolutely no secret of how much I disliked Disney’s Frozen. I hated it. I spent most of the movie alternately facepalming, groaning, and checking my watch, and when people asked me how I liked it, I made this face:

    I’m sorry you had to see this.
    As far as I could see, the problems were obvious. Just like The Princess and the Frog, I felt like Disney had started with some admirable intentions, but lost their gumption halfway through and covered up with cheap storytelling tricks and a lot of audience pandering. And when I told people how I felt about The Princess and the Frog (and Brave, for that matter — but we’ll get to that), they mostly agreed with me. I don’t make a habit of dogmatically disliking something just because I feel like it: usually if I have a viscerally negative reaction to a film, there’s a healthy contingent of people out there who have the same reaction for much the same reasons.

    It was, therefore, a huge surprise to me just how many people loved Frozen. Not just loved, but slavered over it. Critics have been downright competitive in their effusiveness, calling it “the best Disney film since The Lion King”, and “a new Disney classic”. Bloggers and reviewers alike are lauding it as “feminist”, “revolutionary”, “subversive” and a hundred other buzzwords that make it sound as though Frozen has done for female characters what Brokeback Mountain did for gay cowboys. And after reading glowing review after glowing review, taking careful assessment of all the points made, and some very deep navel-gazing about my own thoughts on the subject, I find one question persists:

    Were we even watching the same film?

    Everyone’s entitled to their opinion. I certainly love some movies other people loathed; I’ll even be referring to one of them in a few paragraphs. If your reason for liking Frozen is that it’s fun, or the songs are catchy, or the animation is beautiful, or Olaf the Snowman is funny, then more power to you. But if you like Frozen because you think it is some revolutionary step forward in the way animated films portray women, then I think you’re wrong. And unfortunately, when it comes to film’s historically awful track record for portraying, hiring and being remotely fair to women, celebrating the wrong film — particularly in the sheer numbers that people are celebrating Frozen — has some very troublesome implications.

    My friends have asked for it and I feel like the internet needs it, so I’m going to go through, point-by-point and in no particular order, the top handful of reasons people have given for thinking Frozen is a feminist triumph, and I’m going to debunk them all.

    #frozen #la_reine_des_neiges #disney #féminisme #animation #films

    • Voilà comment les petites filles sont censées se faire avoir :

      Little girls never forget their first encounter with a Disney Princess. Even long after they’re all grown up, they continue to pass along their love for these heroines, introducing them to their own daughters. Individual princesses have been part of the Disney scene since Snow White first graced the screen in 1937. However, only recently has Disney brought these beloved characters together in a collection of fantasy-based girls’ entertainment and products – the Disney Princess brand.

      In 2000, Disney Consumer Products (DCP) brought all of Disney’s beloved heroines — Ariel, Belle, Cinderella, Jasmine, Mulan, Pocahontas, Sleeping Beauty and Snow White — together in a comprehensive collection of fantasy-based girls’ entertainment and products called the Disney Princess brand. Ever since, Disney Princess has become a powerful lifestyle brand accounting for more than $4 billion in global retail sales, touching every aspect of girls’ lives around the world.

      In 2009, the theatrical film release The Princess and the Frog — based on a magical fairytale set in New Orleans — introduced Disney’s newest princess in more than 10 years, Princess Tiana. An extensive line of The Princess and the Frog-inspired apparel, accessories, home décor, consumer electronics, school supplies and personal care products proved to be extremely popular with Disney Princess fans of all ages. Today, Princess Tiana can be seen in a variety of merchandise featuring multiple Disney Princess characters.

      This fall, Disney will officially welcome Rapunzel as the 10th Disney Princess character at a high profile, star-studded celebration at Kensington Palace.

      For a little girl, the desire to feel special is more powerful than a magic wand. She dreams of a place where clothes are spun of silk and gold, where balls are held in her honor and where princes fall in love at first sight. It is a world Disney has created — full of fantasy and romance — where a girl can feel as special as a princess. Disney Princess – where dreams begin.

      https://www.disneyconsumerproducts.com/Home/display.jsp?contentId=dcp_home_ourfranchises_disney_princess

      La seule réponse adéquate : Killer Mermaid
      http://www.youtube.com/watch?v=v7XQsK98VH0

    • Oui, Klaus, mais là on ne parle plus de petites filles, mais de femmes mariées. (Sauf si on a le droit de se marier à des petites filles, mais je crois qu’aux États-Unis, c’est interdit dans la plupart des États.)

    • J’ai cité ce texte parce qu’il décrit la conception officielle des mariages de princesses (adultes). La boîte déclare qu’il sont en possession d’une gamme de produits qui est capable façonner la vision du monde qu’ont les femmes. Pour y arriver ils s’adressent d’abord au petites filles pour enfin leur vendre le mariage de rêve modèle princesse quand elles on atteint l’age légal. Tu verras, dans pas si longtemps ils n’hésiteront pas à proposer un enterrement « Blancheneige » à ta copine. Dégeu comme toute la boîte quoi.